The basics
What is a CRM file?
A CRM file is a clip in Cinema RAW Light, Canon's compressed raw video format. Canon introduced it with the EOS C200, announced in May 2017, which records it internally, on its own cards. Canon's earlier Cinema RAW was recorded on external recorders; Cinema RAW Light files are roughly a third to a fifth of the size of standard Cinema RAW.
Canon has since put Cinema RAW Light across its Cinema EOS range. Cameras that record it include the EOS C200, EOS C300 Mark III, EOS C500 Mark II, EOS C70, EOS R5 C, EOS C400 and EOS C80. Canon's raw video software also handles clips from EOS R mirrorless cameras with raw video, such as the EOS R1 and EOS R5 Mark II, where the compressed mode is called RAW Light.
Raw means each frame holds the sensor's values before demosaicing, white balance and the picture's look are applied. Those decisions move to the edit, where they can be changed without loss. A CRM clip opened without a colour transform looks flat and grey: it's meant to be graded.
Anatomy
What's inside a CRM file
A CRM file is built like a CR3 photo, and like an MP4 or MOV video: a series of boxes, each with a size and a 4-letter type. Canon hasn't published the format. This outline is based on ExifTool's Canon tag notes and Laurent Clévy's reverse-engineered CR3 description, which covers Cinema RAW Light; details vary between cameras, and parts of the structure (such as how audio is stored) aren't publicly described. No real file is shown.
clip.crm: box layout of a Cinema RAW Light clip (no real file shown)
box contents
ftyp file type, brand "crx " (as in CR3)
bytes 4–11: 66 74 79 70 63 72 78 20 "ftypcrx "
moov the index of the clip
mvhd timescale and duration
uuid 85C0B687-… Canon's metadata box
CNCV "CanonCRM0001/…": a CRM, not a CR3
trak (video) one raw frame per sample, CRX-coded
trak (CTMD) Canon timed metadata, per frame:
time stamp, focal and exposure data
mdat the frames and metadata records- 1
ftyp, 66 74 79 70 63 72 78 20The crx brand
The first box names Canon's raw brand,
crx. CR3 photos use exactly the same brand, so a file's first bytes alone don't say whether it's a photo or a clip. - 2
CNCV "CanonCRM0001/…"Photo or video?
Inside Canon's private
uuidbox, the codec version string startsCanonCRMin a clip andCanonCR3in a photo. ExifTool reads this string to report the right file type. - 3
mvhdMovie header
The standard box that gives a clip's timescale and duration, as in any MP4 or MOV. It's why general video tools can often read a CRM's length even when they can't decode the frames.
- 4
trak (video)Raw frames
Each sample is one frame of sensor data, encoded with Canon's CRX codec, the same family as in CR3 photos. Nothing has been demosaiced or colour-graded.
- 5
trak (CTMD)Per-frame metadata
Canon timed metadata records, which ExifTool decodes as time stamps and focal-length and exposure information for each frame: useful for matching shots and for lens metadata in grading.
- 6
mdatThe data
The frames and metadata records, one after another. This is nearly the whole file, and why a few minutes of CRM can fill a large card.
Quality modes
Cinema RAW Light quality modes: LT, ST and HQ
Newer cameras offer three levels of compression, all 12-bit. They trade file size against how much of the sensor's detail survives compression:
| Mode | Name | Use |
|---|---|---|
| LT | Light | The smallest files and longest recording time per card. On the EOS R5 C, LT is about 1,070 Mbit/s and allows 8K at 60p. |
| ST | Standard | A middle setting; 8K at 30p on the EOS R5 C. |
| HQ | High Quality | The highest data rate and fidelity, for demanding grading and effects work. Limited to some sensor modes on some cameras. |
The EOS R5 C and EOS C70 had these modes first; the EOS C500 Mark II gained them in a free firmware update in March 2024. The EOS C200 recorded Cinema RAW Light at 10 or 12 bits.
Comparison
CRM vs Cinema RAW (.rmf) and other raw video
| What it is | Recorded | Notes | |
|---|---|---|---|
| CRM (Cinema RAW Light) | Compressed raw video in an ISO base media file, like CR3 | In the camera | Compressed, a third to a fifth the size of Cinema RAW |
| RMF (Cinema RAW) | Canon's earlier raw video format | External recorders, with earlier Cinema EOS cameras | Much higher data rates; Cinema RAW Development reads both |
| BRAW | Blackmagic RAW | Blackmagic Design cameras | Another compressed raw video format |
| R3D | REDCODE RAW | RED cameras | Another compressed raw video format |
Many Cinema EOS cameras can also record conventional video, such as XF-AVC in MXF or MP4, which every editor can play without raw processing. Choose raw when you want maximum grading latitude, and accept larger files and heavier computing.
How to
How to open and edit a CRM file
- DaVinci Resolve decodes Canon raw
.crmclips on Windows, macOS and Linux, with Canon raw settings in its Camera Raw panel. - Adobe Premiere Pro imports Cinema RAW Light natively; Adobe lists it among supported formats, citing files from cameras such as the EOS C200. Brand-new cameras may need a Premiere update first.
- Final Cut Pro needs Canon's free RAW plug-in for Final Cut Pro.
- Avid Media Composer needs Canon's RAW plug-in for Avid Media Access.
- Canon Cinema RAW Development is Canon's free app for developing, playing back and exporting raw clips from its cinema cameras, for Windows and macOS. It can convert CRM to formats any editor reads, with full control of the raw settings.
Ordinary players such as VLC, QuickTime Player and Windows Media Player can't decode the CRX frames, and browsers can't play CRM at all. To share a clip, export it from your editor or Cinema RAW Development as MP4, MOV or another delivery format.
Keep the card structure
Copy the whole card, not just the .crm files. Cameras keep clip metadata and any proxy recordings in the card's folder structure, and editing software can use them.
Troubleshooting
Common CRM problems
- The image looks grey and flat. Expected for raw: apply the right colour transform (Canon Log with a matching LUT, or a colour-managed workflow such as ACES or DaVinci Wide Gamut) in your editor.
- It won't import. The editor or plug-in may be older than the camera. Update Resolve or Premiere, update Canon's plug-in, or convert with the latest Cinema RAW Development.
- Playback stutters. Raw decoding is heavy, especially 8K. Lower the decode quality in Resolve, use proxies or optimised media, or work from a converted intermediate.
- Opening a CRM as a photo. Photo raw editors such as Lightroom handle CR3 stills, not CRM clips, even though the two share a container.
Privacy
What a CRM clip records about the shoot
Besides the frames, a CRM carries the camera model, recording settings, timecode and per-frame lens and exposure data. These are useful in post-production and mostly harmless, but camera serial numbers and clip names can identify a production, so check what you send outside your team. exiftool -a -G1 clip.CRM lists what it can read.
Sample files
There are no sample CRM files on this page. Cinema RAW Light clips can only come from a Canon camera, so the simplest test file is a few seconds recorded in RAW on a Cinema EOS camera or an EOS R5 C.
Put it online
Have a CRM file? Give it a link.
Drop a CRM clip on 99helpers and it gets its own web address to send to an editor or colourist. Browsers can't play raw video, so the file downloads when the link is opened; add an MP4 export if people just need to watch it.
Questions
CRM files, frequently asked
What is a CRM file?
A Canon Cinema RAW Light video clip: compressed raw video from a Canon Cinema EOS camera such as the EOS C200, C70 or R5 C.
How do I open a CRM file?
In DaVinci Resolve or Premiere Pro, or in Canon's free Cinema RAW Development. Final Cut Pro and Avid Media Composer need Canon's RAW plug-ins.
Can VLC play CRM files?
No. VLC and other ordinary players can't decode Canon's raw frames. Export an MP4 from an editor or Cinema RAW Development instead.
How do I convert CRM to MP4?
Import the clip into DaVinci Resolve or Premiere Pro, grade it, and export H.264 or H.265 MP4; or use Cinema RAW Development to export a format your editor or player handles.
What's the difference between CRM and RMF?
CRM is Cinema RAW Light, compressed and recorded in the camera. RMF is Canon's earlier Cinema RAW, recorded at much higher data rates on external recorders. Cinema RAW Development reads both.
Is a CRM file the same as a CR3?
No, but they're related: both use Canon's crx container and CRX codec. A CR3 is one photo; a CRM is a video clip, with many frames and timing information.
Why are CRM files so big?
Each frame is raw sensor data at 10 or 12 bits. Even in LT mode, data rates reach hundreds of megabits per second; on the EOS R5 C, LT is about 1,070 Mbit/s.
Related formats
Other file types explained
Keep going
Related
Sources
- Canon Europe: Cinema RAW Light explained
- Canon: new Cinema RAW Light formats for the EOS C500 Mark II (March 2024)
- Canon: Cinema RAW Development 2.15.10 for Windows
- Adobe: Premiere Pro supported file formats
- Blackmagic Design: DaVinci Resolve 20 supported codec list
- Laurent Clévy: Canon CR3 and Cinema RAW Light (canon_cr3)
Last reviewed 27 October 2026.